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Et in Arcadia Ego: Arcadia Review
It is hard to find a British literature student who doesn’t know everything there is to know about Tom Stoppard. He is the figurehead of...
Callisto Lodwick
Mar 27

Death on the Nile: Antinous Review
In AD 130, an adolescent man falls into the Nile and drowns. His lover, the fifty-four-year-old Emperor Hadrian, is devastated: his grief...
Callisto Lodwick
Mar 24

The Corn is to Die For: Bloodletting Review
Have you ever seen Children of the Corn and wondered: ‘What if someone took all the cornfield murders and set them in an apocalyptic...
Callisto Lodwick
Feb 26

Jack and the Very Tall Beanstalk Soars to New Heights
I have a confession to make: despite a (debatably) strong British accent and a UK passport filled with stamps, I never lived in the UK...
Callisto Lodwick
Feb 11


Table for Two Toes the Line
There’s no question of the must-see show of last year: it was A Girl Gets Naked in This, People You Know Productions’ collection of sex...
Callisto Lodwick
Nov 18, 2024


Grease is the Word, Have You Heard?
When I, an avid musical theatre fan and longtime member of MUST (St Andrews Musical Theatre Society), discovered that the upcoming autumn...
Minnie Thompson
Nov 14, 2024


Away With the Fairies: A Midsummer Night's Dream Review
Although the weather app may tell you otherwise, Heather Tiernan’s staging of ‘A Midsummer Night’s Dream’ at The StAge has brought a...
Amelia Beattie
Nov 7, 2024


“Hell is a teenage girl”— The Crucible Review
The Devil is loose in St. Andrews — and you can get a front-row seat. As the early nightfall impedes ever earlier into the October...
Amelia Beattie
Oct 16, 2024


Edinburgh Fringe Special: Covenant is Meticulously Crafted
For the first three minutes of Turning Point Theatre Company’s Covenant, you would be forgiven for thinking you were watching a piece of...
Callisto Lodwick
Aug 16, 2024
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